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From Classic Boats to Exquisite Birds

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Katz restored Cobra
 
Bird enjoying the Lake Dora Show
Show season is seriously underway. Two days to Tavares, Florida, three days of show and two days home. When we get home, it turns out, we really werent gone for very long. But, the whirlwind of travel, of seeing faces that we know well, but only from this distant show, of seeing faces that we know from almost everywhere that we travel to, of meeting new faces and of spending time with friends and family who are in this distant place, make it seem like weve been away for ages. 
 
Flying Saucer FiberClassic

Its been about eighteen years since we started this annual journey to Lake Dora where the Sunnyland Chapter of The Antique & Classic Boat Society hold one of the great shows among antique and classic boat shows. Its a given that we will be there next year; “first space to the right of the entrance”.

First booth to the right of the entrance


The Chesapeake Bay Bridge Tunnel is 20 Miles Long!


The drive is as intense as the show, considering that we spend more time in the car than we do in our booth. Route 95, although perhaps a bit faster, doesnt interest us as much as taking those roads that have mom & pop motels, local eateries, farms, houses, and reveal local cultures and industries.




Incredible O.J. Citra, Florida

You cant really see anything from Route 95 and with a good map, and especially with GPS, its hard to get lost anymore. For the most part, these are also 60 mph roads and I dont think that they cost us anything in terms of time.


?
The Real Callabash, N.C.




Just as we see familiar faces at the show, there are familiar landmarks along the roads; architecturally interesting old houses and buildings, towns that still hold their character, and because we are on the cusp of Spring, places where the season is much further along or farther behind.



Tara, once upon a time???





As Ive said before, this is where we find the great Barbecue and Seafood restaurants that we like so much.





Santee, S.C. at sunset


Swan Pair by Ed Kuhn
This year, we may as well not have gotten out of the car. We arrived home late on Tuesday night. Friday morning (tomorrow) we leave for Chincoteague, Virginia. Its the Easter show down there, with a totally different set of familiar faces. Weve known them for a lot of years, as well. The ratio of drive time to show time is a bit different. Two hours of driving (each way) and two days of show: Friday and Saturday.


 
 
The Chincoteague Easter Show is not about boats; its about birds (although there are a few of us that make model boats too). Some of the best carvers in the country come to this show. There are also other types of artists who are truly outstanding in what they do. Were looking forward to spending time with Mary Lou Troutman, Ed Kuhn, Bill Veasey, Shannon Dimmig, Don and Donna Drew, Grover Cantwell, Russ Fish, Bill Hickson, Rocky Detwiler, Donnie Thornton,Bill Cowen, Denise Bennett, Joan Devaney, Nancy Richards West and many, many more great people. I definitely recommend this show and you have to know that its pretty special for us to look forward to it after the intense trip to Florida. Here is the show website: http://www.chincoteaguedecoyshow.com/ 
 
At the 2012 Easter Show
Actually, the Chincoteague Easter show is about the arts and like an ACBS show is centered around boats, so is this show centered around birds. Its really worth the trip from wherever you are. It will be good to have a couple of weeks without travel before our next show: The Bay Bridge Boat Show. That will be another story... At least this year, we dont have to drive to New York on Easter Sunday to put a large half-hull on the wall like we did last year.



See you at the Show!

 
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Sailing a Wooden Classic

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I was brought up in an environment where building ones own boat was part of competeing at the local Yacht Club. Im talking about the early sixties and seventies, and Im grateful to have been around for the experience. Why dont people build their own boats for competition any more?

These days it seems that dinghy racing revolves around the purchase of an off-the-shelf production boat, whether it be new or second-hand. Well, in the past there were a lot of good boats designed for ordinary people to build and race, and one of the most prominant designers was Jack Holt. Tens or even hundreds of thousands of his designs were constructed by amateurs - Mirror Dinghy, Heron, Enterprise, GP 14, 125 to name just a few.

Arguably, one of Jack Holts best designs was the Lazy E or as it is currently known, the National E. It is said that the Lazy E was designed as a successor to both the Enterprise and the GP 14, and that she had all of the virtues of the preceding designs with none of the vices.

A few months ago my middle son, David, bought an old and fairly rough Lazy E. He was hesitant at the time, being in a position where he had to be careful with his money, but decided to go ahead anyway. The old boat has proven to be a great success, and here is a short video to show what fun one can have with somebody elses cast off equipment. This shows Dave and my oldest boy, Geoffrey, enjoying a simple day-sail off Manly, Queensland, Australia. Dave on the tiller, and Geoff on the trapeze. Despite what some people say, I believe in the new generation!




Enjoy the video - you can do it as well!
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Maïca and her sisters a classic Illingworth design

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There are not many ocean racing characters whose exploits and achievements rival those of Captain John Illingworth. He was already a well-known and successful yacht racer before the war, but it was in the 1940s and 50s that he virtually dominated the British ocean racing scene, as well as being hugely influential in the development of the sport in other countries, especially France and Australia. (photo: Mandragore, a transom stern Maïca class)
His most famous yacht, Myth of Malham, was nominally designed by Laurent Giles, but it is no secret that Illingworth himself conceived the general outline of the boat, with its abruptly short ends, relatively light displacement and, above all, its groundbreaking rig with big masthead foretriangle and high aspect ratio mainsail. Jack Laurent Giles begged to be allowed to draw longer overhangs, but was firmly overruled. He complained that the proposed mainsail was too short on the foot and looked more like a flag than a sail, but Illingworth insisted, and Myth of Malham went on to be one of the most successful ocean racing boats of all time.
In 1958 Illingworth opened his own yacht design business, in partnership with Angus Primrose. Together they created some of the most attractive and weatherly boats of the era. Illingworths role was to conceive the design in general, the rig, and the details of deck and interior layouts, while Primrose gave the hulls their sweet and efficient lines for speed, good seakeeping and beauty. (photo: Saba, a superb example of a counter stern Maïca)
Many of the firms early clients were French. Illingworth spoke fluent French and loved the country. He encouraged and assisted in the founding of the enormously influential Glenans sailing school, where hundreds of young Frenchmen learned to sail – and to become instructors themselves. He was commissioned to design a yacht for the Glenans school, the building of which was put under the supervision of Philippe Harle who worked at the Glenans at the time. This experience so stimulated Harle that he immediately gave up his job at the school and set up as a yacht designer himself.
The first of what became known as the Maïca class was commissioned by French yachtsman Henri Rouault who had admired Illingworths earlier successful racer “Belmore” and asked for a smaller version. She was built by Burnes of Bosham and launched at Easter 1960. At the suggestion of Rouaults sister, a nun, the boat was named after her convents former Mother Superior, a decorated heroine of the wartime resistance, who was known by the nickname “Maïca”. (image: drawings for the transom stern Maïca)
The original Maïca, like the Belmore design, had a transom stern. She was so admired and so successful, winning the RORC Class III championship in 1962 that soon further examples were built in Britain and in France, but when Illingworth sold the plans for the Maïca to Constructions Mécaniques de Normandie at Cherbourg, Felix Amiot, the owner of the yard, insisted that the design should be modified with a counter stem. Apparently this was because M. Amiot wanted a Maïca for his own personal use and he preferred the elegant look of a counter stern.
So Illingworth and Primrose produced plans for a “Maïca à voûte” (counter stern) and in 1963 CMN started to build this version employing a novel method of construction that made series production viable - cold moulded mahogany. (image: drawings for the counter stern Maïca class) A first lightweight layer of 1cm planks was laid longitudinally over formers, then two diagonal layers of planks, each 4cm wide, at right angles to each other. When the glue had cured the hull was simply lifted off the formers and turned right way up for decking and fitting out.
CMN built 38 Maïca class yachts, about half of which are known to be still sailing and in superb condition. (photo: Maïcas awaiting delivery at the CMN yard in Cherbourg) The CMN Maïcas were mostly sold to French clients, (one was ordered by the Greek ambassasor to Paris), but many went to customers from Britain and other countries. Some of these boats were among the most famous offshore racers of their day - and many were scoring notable wins even ten years after the introduction of the class
With so many international racing successes and long voyages, the class also made a name for itself in Mediterranean waters and it was not long before a couple of Italian yards obtained licences to build slightly modified versions. One Italian version, of which I believe over a hundred examples were built, was in GRP with a modified fin keel and skeg underwater profile.


Maïca class by Illingworth and Primrose

LOA: 10.08m (transom), 11.06 (counter)
LWL: 7.32m
Beam: 2.74
Draft: 1.74
Displacement: 5300Kg (approx)

(photo: The elegant stern of one of the counter stern Maïcas, recently sold by Sandeman Yacht Co.)

Links:
Class Maïca (Acknowledgements to this French website for much of the history and most of the above photos)
Saba - a French owned Maïca.
If you want to sail a Maïca, see Sabas cruising and regatta programme
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The Columbia 43 a classic Tripp racer

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The Columbia 43 is a big, muscular boat made for long ocean races. The boat is largely forgotten now because its birth coincided with the death of the rating rule it was designed to race under.

With a long, flush deck and a low gun-turret house, the boat is easily recognizable as coming from the drafting board of William H. Tripp, Jr., one of the great designers of the Cruising Club of America racing era. Trip designed the Columbia 43 as part of a suite of racing and cruising boats for Columbia Yachts that included two of the largest production boats of the 1960s, the Columbia 50 and the Columbia 57. In fact, the first model of the Columbia 43 had a Columbia 50s deck house.
Columbia 43 hull number 1 with the deck house off a Columbia 50.
The Columbia 43 is a fast boat. In its early years, a 43 finished first-in-class in the Transpac race from San Pedro, Calif., to Honolulu, Hawaii. As the International Offshore Rating rule took over the racing scene, the Columbia 43 was left behind in favor of boats that would rate better under the new rule. With the popularity of sailboat racing under PHRF, the Columbia 43 is again a contender for the silver.

A Mark III recognizable by her small rectangular ports.
Columbia also came out with a Mark III model that was even more competitive as a racer. It had a keel with a shorter chord and lead ballast, a modified rudder, and six additional feet of mast height. Columbia also abandoned its trademark long, low window on the side of the house for this model and substituted two, rectangular ports on each side giving it a mean, pillbox look.

Tripps name is synonymous with CCA racers that have centerboards, so, naturally, there is a centerboard version of the boat as well. It has an additional 1,300 pounds of ballast and a minimum draft two feet less than the keel version.


The boat was well laid out for racing with a galley to port and a U-shaped dinette to starboard, a step down takes you to the main saloon with facing settees that convert to four single bunks. Forward of that is a small head to starboard with a large standing chart table and a V-birth in the forepeak, The arrangement is somewhat less desirable as a cruising boat for a couple, but it is still workable. The boat also carried 50 gallons of fuel and 50 gallons of water, about half of what you would want on a cruising boat that size.

Columbia built 153 of the 43s: about a third at its yard in Portsmouth, Va., and the rest in the Costa Mesa, Calif., yard. A smaller number (about six) of the Mark IIIs were built. The longevity of heavy fiberglass construction means most are still sailing.

At least one Columbia 43 has circumnavigated the globe. Other boats ended up scattered across the world in the Mediterranean,Caribbean and the islands of the Pacific as well as in every coastal state. A 43 in Aruba takes out 22 passengers for day sails; a job its done every day for more than 30 years under two generations of owners. The large deck and 10-foot cockpit comfortably handles all 22 passengers. A tough boat indeed.
Columbia 43 under sail on the Columbia River.
Heres the Columbia 43 by the numbers:
  • Length: 43 feet 3 inches
  • Beam: 12 feet 4 inches
  • Draft: 6 feet 11 inches
  • Waterline Length: 32 feet 8 inches
  • Displacement: 22,200 pounds (one source says 18,900 pounds)
  • Ballast: 9,500 pounds
  • Sail Area: 806 square feet
  • Sail Area/Displacement: 18.24
  • Ballast/Displacement: 50.26 percent
  • Displacement/Length: 257.49
  • Theoretical Hull Speed: 7.5 knots 
  • Vertical Clearance: 58 feet 4 inches
  • Built between 1969 and 1974
  • Number built: 153
  • PHRF number: 102 (Columbia 43 Mark III has a PHRF number of 96)
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Just What Are Antique Classic Boats

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I am never sure, that when we put out the word about our Antique & Classic Boat Festival each year, that everyone knows what we mean and what makes these boats so special...

What is an antique or classic boat? Let me start by saying that when you see an "Antique & Classic" boat show, its probably being put on by one of the fifty some odd chapters of The Antique & Classic Boat Society (ACBS), which is an international group dedicated to the preservation and restoration of classic and antique boats.


ACBS rules define an antique boat as one built between 1919 and 1942; a classic boat is one built between 1943 and 1975. Those built before 1918 fall into the class of historic.Most ACBS boat shows and festivals are judged. The goal is for the boats to be maintained in, or restored to, original form. 

Among these boats are Chris~Crafts, Garwoods, Centurys, Higgins, Owens, Matthews, Lyman, Thompson, Whirlwind, Huckins, Trumpy, Ditchburn, Shepherd and many, many other names. Many of them have varnished mahogany planked decks with white seams and chrome parts.

Its difficult to describe how exciting these gatherings can be. Each boat comes from an individual or individuals who come together in a single place. There is no museum or other place that one can visit and see such a great collection of historic items. None could afford it. The only opportunity to see them is at these shows. Their owners put a lot of care into their boats and it shows.

As model makers its our job to notice the differences between boats. Looking at antique and classic boats collectively we get an opportunity to see how design has evolved both in terms of style and function. Luckily, weve even gotten to know a few of the significant boat designers along the way. Their explanations of the hows and whys of design choices has taught us a great deal. Modern boats are the product of these design choices.

When you are at an antique & classic boat show notice the year that a boat was built on its information card. Many of the boats that youll see were "state of the art" at the time that they were built. Picture what the world must have looked like when that boat was "state of the art". There is a good chance that you will see a boat from the same era as the Wright Flyer. Think of what a state of the art airplane is like now. What about cars? Its easy to tell that there are differences between a boat from the 1920s and the 1960s. What about the 1920s to the 1930s? It helps to look at the boats appearance, how the hull is shaped, the layout of human spaces, the engine, the comfort features, the finishes, available materials, etc.



A useful piece of information to know about is the difference between a "utility" and a "runabout". If you look at the "Retrospect", a 1958 Century Coronado and clearly an elegant boat, youll see it described as a utility. When you look at the Garwood "Granny", also an elegant boat, it will be listed as a runabout. A runabout has dedicated cockpits (seating areas)separated by decking, meaning that to go from one to another requires crossing a deck. A utility has a single cockpit area allowing movement throughout the boat without leaving the cockpit.


Many elements changed, pretty much by decade, in the design of boats. Sometimes these elements paralleled those seen in cars, airplanes, toasters and vacuum cleaners.

Using Chris~Crafts long line of boats as examples of changes that many brands of boats went through;, you will see that a Chris~Craft runabout from the late 1920s has what is known as a "raised deck" over the motor box area. In the 1930s a similar Chris~Craft have a "flush deck". The flush deck here happens to be a Hacker.







In the 1940s, with WWII, materials were scarcer and painted sides sometimes replaced mahogany sides and the 1947 Chris~Craft 22 Sportsman utility was one of the most recognized boats of that time.





In the 50s things got really crazy with the advent of vinyls and fiberglass. If you are familiar with the 57 Chevy, youll see that many late 50s boats had wings. Other 1950s Chris~Craft features were the bull nose and blonde stain as seen in Capris and Rivieras. The use of fiberglass was originally not for functional purposes, but for visual appearance. Note the Cobras gold fin.



*Speaking of the use of fiberglass in the late 50s, The Silver Anniversary of The Antique & Classic Boat Festival in St. Michaels, Maryland, being held June 15th - 17th, is expected to have the largest gathering of the highly unusual Chris~Craft "Silver Arrows" ever. This was a boat that used fiberglass in a way never seen prior to 1958(or again).Click on the photo for more information...




One of Chris~Crafts means of staying current was to "borrow" good ideas from other companies. Although, theirs is probably the the most quickly recognized name in classic boats, many of their ideas came from watching others. Their Sea Skiff line were similar to Lyman Boats, which featured lapstrake construction with "canoe strip" reinforcement.




In the late 50s, there began an intense competition between Chris~Craft and Century boats, whose Coronados, Resorters and Arabians had lots of Chrome, Vinyl, Convertible Roof options and lots of power. Century boats were striking to look at and Chris~Craft answered with the Super Sport and other similar models in the early 60s.


Of course, Chris~Craft was only one boat builder among hundreds that made what are now antique and classic boats, each of whom had an interesting story and role to play in their development. I do not want to leave the impression that all antique and classic boats are Chris~Crafts. I use them here as examples of one of the companies that made such boats. Perhaps you are familiar with Berglund?



I am just scratching the surface of what youll see at these shows. I havent said a thing about Cruisers or Motoryachts... The Happie is what as known as a "raised-deck cruiser". It has 7 of headroom down below, a commuter cockpit and a soapstone fireplace.





When you see 4 or 5 Trumpy Motor Yachts, which might be 80 or longer in one location, even from a distance they very impressive. Speak with the Captain and you might get invited aboard! Motoryacht builders had similar design evolutions, many of the early ones being built on sailboat hulls.







Raceboats such as Gold-Cup Racers, Jersey Skiffs, Unlimited Hydros, and others are often present at these shows and when you are talking state of the art... Well. The first boat to achieve 100mph on water, the Miss America IX was at the St. Michaels Show last year. Perhaps again, this year??




Of course, there are "The Outboard Guys". Outboards have been one of the most important developments ever seen in the world of boats. What we use now came from machines that looked like old kitchen mixers. The machinery and styling and sometimes the greatest of innovative thinking can be seen in old outboards. Those that love and take care of them and bring the dead ones back to life are very special people. Their ability to find precious information and their ability to bring something out of their closet that you could never imagine existed at one time is astounding.

I recommend that if you havent been to a real Antique & Classic Boat Show, that you take a look. They are truly amazing and you need to pay attention to really get the most out of them, but when you do, you will find out a lot of things about the history of style and design and, ultimately, because everything else in our lives followed similar design paths, why we have what we have today and, in some ways, who we are.

The next great nationally recognized show is The 25th Anniversary of The Antique & Classic Boat Festival/ The Arts at Navy Point held in St. Michaels, Maryland on June 15th - 17th, 2012 at The Chesapeake Bay Maritime Museum in St. Michaels, Maryland. St. Michaels is a beautiful and historic town on the Miles River, which is a tributary of The Chesapeake Bay. It has fine restaurants, shops and lodging and the weather is usually in the mid-70s during the show. The Chesapeake Bay Maritime Museum helps to keep the traditions and history of the Chesapeake Bay alive and recently added a very special tugboat exhibit.

For more information about this show go to http://chesapeakebayacbs.org

For information about other great antique & classic boat shows or to learn more about antique and classic boats go to http://acbs.org

For information about Century boats and The Century Boat Club go to http://www.centuryboatclub.com/

To see some of our antique & classic boat models go to http://intothings.com/antqclsc.html

To know whats going on in the world of classic boating try http://woodyboater.com/

Stay tuned for more about "The Arts at Navy Point" for 2012.




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Classic inboard boat plans

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Classic inboard boat plans Classic Boat Plans Free Wooden Model Boat Plans Free Deep V Boat Plans Wood Classic Inboard Ski Boat Skeg
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Classic wooden boat plans Details

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Classic moth boat plans

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Classic commuter boat plans

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Classic wooden sailing boat plans Details

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Pictures Classic wooden sailing boat plans RC Model Boat Plans Free Wooden Boat Plans Sailing Dinghy RC Model Boat Plans Free Wooden Boat Building Plans Wooden Sharpie Sailboat Plans
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